Benefits & Features:
Friends can send private messages, send instant photo attachments and chat with each other - live! Friends can also participate in video web cam chat or VOIP audio calls as well, which is an excellent and safe way to see and/or talk with someone anonymously before meeting them in person for dating! All LetsHangOut.com chat features are completely free and you do not need to give away your phone number anymore in order to talk with someone that you may not know very well yet. All communication can be done directly through your username and inside the website!
Instructions, Tools & Management:
Use the cog wheel on the right-hand friends menu to view your main options. Options include Managing your friends list or controlling your main chat status. Setting your status to "Offline" will turn off your chat and hide your online chatting status. You can turn it back to "Online" again at any time or set it to "Away". On the Friends List Management screen, you can accept/decline new friend requests or remove friends from your Friends List.
In addition, when you click on a friend on the right-hand friends menu, you have the option to view their profile, initiate chat or hide your online status from them (turn off chat for a specific user).
When you click the "Chat Now" link for a friend, a popup chat box appears. You can send a message to them and they will receive it immediately. Also from the chat box, there are a few other features. Clicking the button will setup live, streaming video chat using your web cam and microphone, the button will setup a VOIP audio-only call using your microphone, and the button will allow you to select a photo on your device and instantly send it to your friend.
Tracklist:
0:00:00 Sonata a tre in G Minor, Op. 6 II. Adagio
Budapest Scoring Symphonic Orchestra, Peter Pejtsik
0:07:40 Symphony No. 3, In G, For Strings, 1. Allegro
0:12:09 Symphony No. 3, In G, For Strings, 2. Minuetto
0:16:54 Symphony No. 3, In G, For Strings, 3. Allegro
0:21:06 Sonata Op.2, No. 3, In C Major For Strings And Harpsichord, Grave - Allegro
0:26:26 Sonata Op.2, No. 3, In C Major For Strings And Harpsichord, Adagio
0:29:10 Sonata Op.2, No. 3, In C Major For Strings And Harpsichord, Allegro
0:31:59 Sonata Op.6, No. 3, In G Minor For Strings And Harpsichord, Grave
0:35:10 Sonata Op.6, No. 3, In G Minor For Strings And Harpsichord, Larghetto
0:38:42 Sonata Op.6, No. 3, In G Minor For Strings And Harpsichord, Largo
0:41:16 Sonata Op.6, No. 3, In G Minor For Strings And Harpsichord, Presto
0:43:50 Symphony No. 5, In D, For Strings, 1. Allegro
0:48:10 Symphony No. 5, In D, For Strings, 2. Minuetto
0:52:09 Symphony No. 5, In D, For Strings, 3. Allegro
0:54:18 Concerto Op.5, In D Minor, For Strings And Harpsichord, 1. Allegro
0:57:00 Concerto Op.5, In D Minor, For Strings And Harpsichord, 2. Adagio
0:59:15 Concerto Op.5, In D Minor, For Strings And Harpsichord, 3. Allegro
Budapest Scoring Symphonic Orchestra, Peter Illenyi
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni.
Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, Zenobia, regina de Palmireni, was produced in Venice in 1694. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Ferdinando de' Medici, Grand Prince of Tuscany.
In 1705, he married Margherita Rimondi; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer in many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time, he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.
Unlike most contemporary composers, he appears never to have sought a post at either a church or noble court, but then he had independent means and could afford to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.
Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However, it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751.